Kategorier: Alla - conocimiento - lenguaje - episteme - estructuras

av TANIA ELIZABETH CAYAMBE ANDAGANA för 3 årar sedan

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Fundamentos epistemológicos: El saber, la Episteme y la doxa

En el ámbito de la epistemología, se exploran las diferencias entre episteme y doxa, conceptos que se refieren al conocimiento verdadero y la opinión sin fundamento, respectivamente.

Fundamentos epistemológicos: El saber, la Episteme y la doxa

Fundamentos epistemológicos: El saber, la Episteme y la doxa

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

Episteme y doxa

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Doxa

Your character(s) need(s) motivation in order to solve the challenge(s).

Se aleja de la verdad

Secondary characters might also have motives that lead them to cross paths with the main character or which might trigger them to help the main character.

Motivation

Opinión

Why does your character need to confront this challenge? What does he/she expect to accomplish by solving it?
See a few examples:

No tiene sustento

Episteme

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

Conocimiento verdadero (Najmonovich, D., & Lucano, M. (2008), P 27)
Tipo de pensamiento

Conocimiento comprobado y experimentado

Hechos

La naturaleza de las cosas.

Lo que es verdad

Mundo latino SCIENTIA

Type in any other challenges which other characters in the story need to face.

Conocimiento científico

Interpretación de la verdad usada en la ciencia.

In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:

Saber y conocimiento

In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.

El Lenguaje
Estructuras

2. Estructura de la lengua que precede.

Dan forma a la versión del mundo personal.

1. Estructuras de la lengua

Permiten comprender el alcance de las estructuras.

Hacen una red

La lengua común es occidental

Tiene una semántica, sintáctica, pragmática europea

Lengua castellana

Saber es todo decir sobre un orden del conocimiento
Conocimiento construye un significado

The setting (time & place) of a story can change throughout the plot.

Habita un hábitat

The time of the story can also change. It can describe the event of a single day or can include an entire year's plot. Anyway, don't forget to mention it.

Interpretación de la cosa por un viviente

Multifinalidad de las cosas

Hábitats

Diversos

Divergentes.

Paralelos

El conocimiento se genera cuando percibimos una realidad

Characters are essential to a good story. Usually, the protagonist(s) is/are the most affected by the plot. Introduce a character by focusing on their actions, interests, and occupation, as the physical appearance doesn't make a difference in most cases.

Identificar lo válido y lo diferente de todo lo que no es conocimiento.
Platón: Modelos matemáticos para comprender los fenómenos

Soluciones matemáticas (Najmonovich, D., & Lucano, M. (2008), P 29)

Choose the type of your chacter:

Protagonist (main character)Antagonist (main character's opponent)Flat (stereotypical character)Round (his/ her personality develops throughout the story)Static (doesn't evolve as a person throughout the story)Dynamic (dramatical change in personality)Confidant (the main character trusts him/ her)Foil (contrasting character who enhances the personality of another character)Other
Aristóteles: "Explicaciones causales, mecanismos productivos"

Type in the name of your character.

Reconoce y valora la observación y la experimentación (Najmonovich, D., & Lucano, M. (2008), P 29)

Which traits best describe the character's personality? Choose more if necessary:

introvertedloyalkindindependentquick-thinkingadventuresomeidealisticsweet-naturedcalmrisk-takercreativewittystrictfussyweirdclumsyharshaggressivecarelessclingingcowardlycrueldeceitfulimpulsiveOther