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To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.
The ending of a story is essential. We all know that if the ending is weak, what happened before loses its importance. So make it unpredictable, but fair. A resolved ending answers all the questions and ties up any loose threads from the plot.
This is the closure section of the story.
See examples of possible outcomes below:
The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.
Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.
“quando mais se falou em democracia no interior da escola, menos democrática foi a escola; e de como, quando menos se falou em democracia, mais a escola esteve articulada com a construção de uma ordem democrática”
Type in any other challenges which other characters in the story need to face.
Other challenges
“do caráter científico do método tradicional e do caráter pseudo-científico dos métodos novos”.
“Do caráter revolucionário da pedagogia da essência e do caráter reacionário da pedagogia da existência”.
In most stories, there are 3 challenges. The number 3 is a mystical number symbolizing completeness. Try to come up with interesting challenges with which your character needs to struggle.
See a few examples below:
Challenges
This is the moment when the main character surpasses the last obstacle and finally faces their greatest challenge.
The climax usually follows one of these patterns:
Type in your answer.
In the beginning of the story (or the exposition), you will need to introduce the setting and characters. You might also want to introduce the main conflict. This part of the story is important because it gives the reader necessary background information and maybe even a first insight into a character’s personality.
The setting (time & place) of a story can change throughout the plot.
Composto pela Pedagogia Tradicional, a Pedagogia Nova e a Pedagogia Tecnicista entendem a educação como instrumento de equalização social, portanto, de superação da marginalidade
a marginalidade é considerada um desvio e a educação tem como função corrigi-lo.
Sensory details include sight, sound, touch, smell, and taste. These details are important because they create depth in your setting.
See a few examples below:
Teoria do Sistema de Ensino como Violência Simbólica, a Teoria da Escola como Aparelho Ideológico do Estado e a Teoria da escola Dualista
Abarca a Teoria do Sistema de Ensino como Violência Simbólica, a Teoria da Escola como Aparelho Ideológico do Estado e a Teoria da escola Dualista
marginalidade é um problema social e a educação que dispõe de autonomia em relação à sociedade, estaria capacitada a intervir eficazmente na sociedade, transformando-a e promovendo assim a equalização social.