DUELO DE LA ADOLESCENCIA

Mer av detta

Diferentes concepciones de la cultura.

av Jeniffer Ayala

EMBARAZO ADOLESCENTE

av MARCELA BAUTISTA

LEY 1098 DE 2006

av Esteban Kmargo

FACTORES DE RIESGO Y PROTECCION EN LA ADOLESCENCIA

av lina redondo

DUELO DE LA ADOLESCENCIA

To name your story, you have to think about the overall message and what you want your audience to understand from the story. Also, make it relevant and easy to remember.

Transbordo imaginario

Urgencia identificatoria

Recambio representacional

Remodelación identificatoria

Construcción de esquemas

Condición adolescente

Registro intersubjetivo

Ficticio familiar

Pasado comon causa

Fuente de su ser

Posicionamiento subjetivo

The middle of the story is where you add layers of complications that will lead to the end. Reveal more about the character's journey. Did their personality go through changes? How did they overcome the challenges? And as you build up the story’s central conflict, make it more personal to that character. Also, from the middle act, you have to lead into the final act.

Ideal del yo y la conciencia moral

There wouldn't be any tension and excitement in your story if there weren't any obstacles in your character's way.

Autoobservación

A story is nothing more than a character overcoming a series of difficulties to reach the desired goal. Obstacles usually create suspense and conflict. In overcoming obstacles, there is growth: weak becomes strong; hatred turns into love; sadness into happiness; wrong into right; lies into truth; or evil becomes good.

See a few examples below:

• stopping a meteor
• finding a killer
• finding love

Formación del psiquismo

Each story has a main character and that character usually needs to solve a problem or challenge. The character's challenge is the one that creates tension throughout the story.

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